Here is my show, “Cloudy Characters”. It references communication, lettering, vintage signage, and the confusion of shifting contexts. The large sculptures are based on small ink drawings done on typing paper and scaled up. There’s a lot of tmi in this information age we live in, and it’s getting less and less clear what’s going on. I’m just making a lot of art in my studio over at galvanized garden. Clarity is in short supply these days but we can keep busy and keep creative, because maybe something will evolve. I’m working on a publication project called the “manilalogue”. I’m unsure of what I’m doing. A friend of mine recently said, “I don’t know what I’m doing”, and that resonated with me. Maybe it’s less important to know WHAT we are doing than to know THAT we are doing. I’m a believer in process over product. If we prioritize the product over the process, we will be seduced by an artificially intelligent genie. Not trying to go off topic too much here… But if my writing were second rate, that would be evidence that it was written by me, and not a robot. I got a call from a telemarketer, and when I asked if she were a robot, she tells me what the weather is like. And then “she” says that it proves she isn’t a robot, since robots don’t talk about the weather. Which proves that robots do talk about the weather. Man, these are some Cloudy Characters.
-Adam Farrington
These are my cyanotypes, a process I was recently introduced to by my friend Robert, who has become my cyanotype mentor, due to his infectious enthusiasm. Being a metal sculptor, I was insistent on using my galvanized metal as a substrate, so Robert and I shepherded ourselves into the unknown. What a struggle it was! But the results speak for themselves. Not sure what they are saying, but the are cloudy characters… As is customary, we put unflavored jello on them first, and then put them out in the sun. My digital negative was so-so so I cut metal stencils from the same files as the big sculptures. They didn’t seem to be coming out… Then they seemed great! Then they became terrible, then good again… They needed something so I got the ink out. Then they got to hot in the sun and parts flaked off. They looked cool but lacked a focal point, so I riveted the stencils on some of them and riveted-hot glued tiny cut out photos of them on… But then I got so scared that they might continue to flake, I documented them in tiny foldergraphs that I hung from little strings. I entitled this body of work, “Take a picture, it will last longer”, because I am unsure of how long any of this will last. They are $100.
These are my “Fake Cyanotypes”. They are cyan, but it’s paint. During my alternative cyanotype struggles with Robert, I became ever more demoralized by my dwindling prospects of getting a cyanotype on metal…but more attached than ever to the beautiful blue! So I took a shortcut and used paint because authenticity is connected to expectation. I have included 2 of my favorite most ubiquitous materials to fortify the effect of the false cyan. I love that yellow plastic rope and the green fiberglas corrugation. They are $150
These are my “Fake Cyanocharacters”. It was a similar situation as with the Fake Cyanotypes. I like the word play, of Characters, and Type. You know, cause they are both about letters, right? These cute little wall sculptures are $200.
These are my foldergraphs, they are an innovative new photographic process using a special printer that has been custom configured to accept manila folders. Photos are files and files belong inside folders. Folders are objects. As de facto sculptures, I find them magnitudes more engaging than garden variety photos. They are also populist in nature, because they are printed in open editions on open folders and can be reprinted. If you would like more than one I can give you a complimentary folder to keep them inside of. These foldergraphs cost $40 and hanging hardware is included. (paperclips)

I love this corrugated fiberglass. Very nostalgic. $4000

Can not deny that this is Rabbit like. They are all abstractions, but you know how that goes. $4000

A vertical situation. $3000

Totally abstract. I love putting ribs on these things. $4000

Yeah, pretty phallic, I know, but maybe it's a bird looking up? How am I supposed to know? $4500

Man I love that ubiquitous yellow plastic rope! worst rope in the world! Love it! $$4000

Look at these guys! A small one and a tall one! They are half siblings! $3000 $5000

Who's this guy? Where does he start and where's he going? $4500

Similar to the other, but different if you look at the opposite sides. Come check them out! $4500

Don't I know you from somewhere? Like the postcard maybe? $6000